RECEIVED: MinXus Shotpo performance w/Ficus strangulensis & Empress Marie +! Theresa Williams, Matthew Stolte, Mamie Eliane, Svenja Wahl, Suus in Mokum, E - Ambassador of Utopia

[De Villo Sloan]

“Shotpo” by Ficus strangulensis (West Virginia, USA) using a visual poem by Empress Marie Antonette aka Marie Wintzer (Saitama, Japan)

November 10, 2012 - The MinXus-Lynxus Shooting Gallery Project has been completed with the mail return of “Shotpo” compositions from visual poet and expert rifle marksman Ficus strangulensis to MinXus USA.

I mailed Ficus work by Empress Marie (Japan), Trashpo by Diane Keys (USA), and a William Shakespeare sonnet target-formatted for precision text editing and spontaneous holistic composition by rifle. I will share documentation in a number of blogs at the IUOMA.

The invention of Shotpo results from a MinXus event score that builds on earlier work by William S. Burroughs and Dick Higgins (1000 Symphonies). In short, under "Safety First" conditions, Ficus fired his gun at the vispo-targets to make the holes.

The pieces returned show a consistent energy field form of composition with areas of high density hole concentration. Targets reveal highly organic Shotpo prosody structures:

 

Photo courtesy of Ficus strangulensis

Original visual poem by Empress Marie:

 

Courtesy of MinXus-Lynxus USA Archives

The Ficus strangulensis method of spontaneous composition produced a highly refined Holism:

Detail shot courtesy of Ficus strangulensis – distortion and page trauma are only evident upon close inspection

 

Closer detail reveals more about hole structure, distortion and penetration damage. Photo courtesy of Ficus strangulensis

Ficus strangulensis Shotpo re-composition/de-signification of classic visual poem by Empress Marie

 

Target detail showing compound hole prosody. Courtesy of Ficus strangulensis

 

Shotpo-etics. Photo courtesy of Ficus strangulensis

 

Detail courtesy of Ficus strangulensis

 

Many thanks to all who participated in the Shooting Gallery Project. More documentation forthcoming.

 

For more on the MinXus-Lynxus Shooting Gallery Project, click below:

http://minxuslynxus2.wordpress.com/2012/09/11/minxus-lynxus-announc...

 

 

Zombie baby meets "Uncle Tom" Eliot from Theresa Williams (Bradner, Ohio, USA)

 

Mail-art by IUOMA member Theresa Williams (Bradner, Ohio, USA)

 

IUOMA friends will will immediately recognize Theresa Williams' Baby Ghoulio who made such an Eternal Network splash during the now-fading 2012 Halloween season. Always thoughtful, she imbued this Baby Ghoulio with “Redeeming Social Value” to meet the always high standards and impeccable tastes (as well as everyday low prices) of MinXus-Lynxus. As with so many of us, the zombie baby’s existential crisis is sparked by an encounter with T.S. Eliot’s “The Wasteland.”

Reverse side of zombie baby mail-art from Miss Theresa William Carlos Williams

And the envelope:

Make sure to visit Theresa Williams' Letter Project, a modern correspondence school:

http://theletterproject.wordpress.com/

 

 

Asemic visual poetry from Matthew Stolte (Madison, Wisconsin, USA)

Mail-art by Matthew Stolte (Madison, Wisconsin, USA) 

 

Matthew Stolte sent this fine example of his more abstract and complex visual poetry that has rich textures and a liquid-like flow of shapes, distortions, recognizable letters and words that all-too-soon transform into asemics. Lyricism seems a most appropriate term. Much of the work received from Matt previously (and blogged at the IUOMA) has been found materials. Others, however, are striking black and white compositions often tending toward the minimal; there is an echo of some of those pieces in the work above too. Well-versed in the conventions of mail-art, Matt makes good use of his envelopes:

 

Make sure to visit Matthew Stolte's new blog:

http://constructionsea.blogspot.com/2012/10/received-working-on.html

 

 

Mamie Eliane (Nancy, France) hails MinXus-Lynxus

 

Mail-art from Mamie Eliane (Nancy, France), mother of artist Laurence Gillot

When Laurence Gillot made a call through the Eternal Network to send mail-art to brighten the life of her mother, Mamie Eliane, MinXus-Lynxus was there.

In return, Mamie Eliane sent us this clever and hand-some work expressing her deepest thanks for our most humble gesture. We can only assume she expresses solidarity through her art for MinXus-Lynxus and the return of Empress Marie to her rightful throne:

Best wishes to Mamie Eliane and Laurence Gillot!

 

Visual poetry by Svenja Wahl (Heidelberg, Germany)

 

Mail-art by Svenja Wahl (Heidelberg, Germany)

Svenja Wahl is much admired down on the mink ranch for her collage work and visual poetry that frequently involves at least one layer of images upon the foundation of the always interesting, often aged text she has a talent for finding. One can locate interesting fonts and graphic design styles marking various eras of popular culture

.

More detail focusing on text:

Svenja Wahl managed to achieve some very subtle and beautiful textures with this piece. The address side of the card is sweet and entertaining:

Seriously tenderfoots, have a look at the “awesome” work Miss Svenja has been doing, if you are not already devoted fans:

http://amtfuerpostkunst.wordpress.com/

 

Asemics from Suus in Mokum (Amsterdam, Netherlands)

 

Mail-art by Suus in Mokum (Amsterdam, Netherlands)

Suus in Mokum sent this lovely small card (approximately 2 inches x 2 inches) with her asemic writing and overlain with calligraphy adding minimalist concrete poetry to the mix. I am pleased MinXus inspired Suus to experiment again with asemics:

 

And here’s the little envelope it arrived in:

 

See more Suus in Mokum!

http://snailmailsuus.blogspot.com/

 

 

E - Ambassador of Utopia (Guivry, France), M.O.T.M. (Member, Order of the Tangerine Mink)

 

 Mail-art by IUOMA member E - The Ambassador of Utopia (Guivry, France)

 

MinXus-Lynxus has recently named E - The Ambassador of Utopia a member of the distinguished Order of the Tangerine Mink. He has brought new ideas and vitality to MinXus-Lynxus. We are honoured by his friendship.

 

Mail-art by E- The Ambassador of Utopia

E also identifies with Fluxus members in the mail-art network.

He has designed some wonderful new MinXus stamps.

 

Mail-art by E - The Ambassador of Utopia

 

 

Above is a rare, unmuzzled MinXus stamp.

 

E- Ambassador of Utopia has a number of interesting blogs and ongoing projects. Check them out and participate!

http://insomniesetartpostal.blogspot.fr/search/label/ALEXANDER%20LI...

 

Many thanks to all who contributed mail-art, visual poetry, asemics and work in the spirit of MinXus-Lynxus.

 

And you are cordially invited to see more at MinXus-Lynxus:

http://minxuslynxus2.wordpress.com/

 

 

[Marie Wintzer]

Yo Yo, thank you for this great googling material, that made my morning!

10 things I do every day

wake up
smoke pot
see the cat
love my wife
think of Frank

eat lunch
make noises
sing songs
go out
dig the streets

go home for dinner
read the Post
make pee-pee
two kids
grin

read books
see my friends
get pissed-off
have a Pepsi
disappear

 

(got to love this...)

[Marie Wintzer]

Dw, the claws are growing back as well. Very important. All is well...

[De Villo Sloan]

BAD NEWS

The man in bed - starring at me appraisingly - was enormous.

THE DOORS OF PERCEPTION

There were seven to choose from, all putty.

2 poems by Ted Berrigan

[De Villo Sloan]

The paw is healed!

[Marie Wintzer]

laugh ;-)))

[De Villo Sloan]

What's going on with the transcriptions - I noticed that Ficus is such a good marksman that he was able to actually shoot out individual letters in the texts. In some cases he was finding words inside of words like "ass" in "Leda & Swan." So the transcriptions show where the bullets removed letters, letter combinations, or entire words.

[De Villo Sloan]

The transcriptions will be an important part when it's done. Here's one from the original documentation:

Structural analysis cont.

 

[Marie Wintzer]

I love the transcriptions! It gave me an idea an I'm now trying with folded text.

[De Villo Sloan]

Thanks Theresa, so many of those quotes seem lost, plaintive, bewildered. It's very appropriate because part of the aim of the Shooting Gallery Project was to try to create textual fragmentation, which Pound was able to do so naturally but maybe not willingly. I am also transcribing the work into more conventional poetry:

 

                                                                      Leda & Swan

                                                      (Marie Wintzer & Ficus strangulensis)

 

 

 

t   now how much a man increas in height

 

g on tip-toe and how much p g dims

 

and how much it inc ass at

 

likewise in bending e fo

 

 

 

[De Villo Sloan]

I was talking to a guy who was a recent creative writing program grad. He said they actually rank the journals now. I don't even know the names anymore. But, like, "Hudson Review" (does it still exist) might be #5 and "Massachusetts Review" might be #3. How could anyone possibly do rankings like that? It's like aesthetic fascism or something.