Haptic Poetry

Comment

Comment by cheryl penn on November 14, 2010 at 2:53pm

Trapped Tesseract.

Comment by Katerina Nikoltsou (MomKat) on November 13, 2010 at 7:23pm

Si, Alfonso..molto interessante .. ed è quindi scultura.

Comment by Alfonso Filieri on November 13, 2010 at 5:45pm

dovrebbero essere ciò che l'autore di questa opera ha inserito come resti di una macchina da stampa definendoli scultura, quindi oggetti tridimesionale

Comment by Katerina Nikoltsou (MomKat) on November 13, 2010 at 5:39pm

...un pezzo della macchina da stampa?
an actual piece of a printing press?
Anche questo sarebbe "Haptic Art", sì? wow!

Comment by Alfonso Filieri on November 13, 2010 at 5:22pm

mi riferivo più precisamente all'oggetto tridimensionale o frammento di esso ed al suo peso, che crea direttamente ai nostri occhi il ritorno alla sua funzione originaria, al suo movimento ed al suo rumore

Comment by Katerina Nikoltsou (MomKat) on November 13, 2010 at 4:25pm

Well, with aromas, or sounds, or textures, they would act as additions to our art, as enhancements. No, I don't think we need to make recipes and cook up a meal. "...the color of memory," nice phrase when translated, I llike that.
Also, Alfonso, I like "...when we see a fragment of a printing press there comes back THE SOUND OF IT." Looking at a printed page, an etching, or even a book...and thinking of, hearing, the SOUND of a printing press....now that is sensitive.

Comment by Alfonso Filieri on November 13, 2010 at 4:07pm

amici,
ho iniziato questa discussione
Mi riferivo al colore della MEMORIA, dei SENSI,
AL SUONO DELLA EVOCAZIONE dei ricodi.
Ciò che la nostra memoria ha in magazzino
SI CHIAMA cognitivismo E LO ABBIAMO DENTRO IL NOSTRO CERVELLO ANCORA PRIMA DI NASCERE.
Così quando vediamo un frammento di macchina tipografica ci torna in mente IL RUMORE DI ESSA.
Perchè le spezie, gli aroma, non le mettiamo su qualche buon piatto, ovvero perchè non le usiamo in cicina?

Comment by Austin Wills James on November 13, 2010 at 3:21pm

After reading Katerina's comment, I felt compelled to mention that I ocasionally use a blade to shave incense dust onto some of my cards. Since I use watercolors more often than not, it's quite easy to do while the paint is still wet & then brush over.
-AWJ-

Comment by Katerina Nikoltsou (MomKat) on November 13, 2010 at 3:03pm

mmmmmm, but sprinkles of cinnamon would be nice in one envelope,
then parsley, sage, rosemary, and thyme...in other envelopes! Yes, thinking of adding AROMA to go along with the senses of TOUCH and SIGHT for a haptic experience... and the SOUND of crinkled papers, too? ...and TASTE when having to lick enclosed stamp to mail art piece? It is going to be a Haptic Weekend.

Comment by Jen Staggs on November 13, 2010 at 7:11am

Hmm, I might not do smell, no one wants to have to air out their mail. I was fortunate to see Joseph Beuys' and Matthew Barney's combined show at the Guggenheim in Venice in 2007- I remember being completely confused. Lots of potatoes and vaseline.

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