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Dear Mister Richard C., Thanks for sharing your insightful response. You keenly articulated an aspect of Bill’s writing that I particularly admire, that he was so receptive and responsive to anyone sincerely interested in Ray Johnson’s work (and other topics too), especially us naive folk, like students and artists, hoping & trying to learn & create. My impression of Ray Johnson is that he was similarly open to correspondence with any willing participants. I am grateful to you and other mail artists who carry on this admirable conduct. Have you written more about your experiences corresponding with Ray Johnson (and Bill? and others? thots about yr own mail making? networks they are a changin?, whudabout yr archive? pix? etc., &c.)? Us pseudo-historian-archivist-types really enjoy that sort of thang. Best wishes & many thanks. –M.N.2.
27.06.19 Dare Miss Noma, ...I first wrote to Ray Johnson when I was a young art student (Western Carolina College in Cullowhee, Nawf Karolinah) during the mid-sixties as a result of reading an article in the New York Times about his first gallery exhibition at the Willard Gallery. Much to my pleasure, I did eventually receive a response only to be followed (as time progressed) by a seemingly endless exchange of postcards & letters. After more literature about Ray Johnson began to surface, I gradually learned more about the artist & the uniqueness of his personality. At some point, my naivete became even recognizable to myself. In fact, (if I may be so bold to suggest or is it more like a confession?) I suspect that Bill Wilson had me (& other somewhat similar individuals) in mind when he wrote this. Thanx for posting. Sincelery, Richard Canard
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