Theresa Easton

Female

Newcastle-upon-Tyne, UK

United Kingdom

Profile Information:

Mail-Artist since:
First flirtations last year 2012, but now totally hooked in 2013
My Website (without http://):
http://theresaeaston.wordpress.com
Why I am involved in Mail-Art:
It makes the world seem so much smaller and puts you in contact with folk from every corner of the world! I have organised a number of projects involving sending artwork and receiving work through the post, and find Mail Art a truly egalitarian exchange of ideas.
My Mail-Adress (snail and/or E-mail)
Studio 2B
Ouseburn Warehouse Studios & Workshops
36 Lime Street, Ouseburn Valley
Newcastle-upon-Tyne NE1 2PQ UK

Comment Wall:

  • Ruud Janssen

    Welcome to the IUOMA!

  • Guido Vermeulen

    Welcome Theresa

  • E Coles

    Welcome to IUOMA!

  • Poison Label Productions

  • Petrolpetal

    Hi There is something in the mail from me to you!

  • Patricio - The Celestial Scribe

    Earthling, this is the last but certainly not the least welcome message to IUOMA you receive. I’m a celestial mail artist living in a heavenly corner of the faraway universe called Republik van Patland. When you joined IUOMA on 9 October I was unable to welcome you on board.  At the time I was in a Celestial Journey far beyond the Milky Way. Now, back to planet Earth, I´d love to be the other end when you decide it’s the right time to start trading snail mail art. If this is the case at the time your envelope should read as follows:

    The Celestial Scribe

    Terrene Embassy

    Republik van Patland

    Caixa Postal 24827

    Curitiba-PR

    80510-970

    Brazil

    I look forward to see a piece of yours in our terrene mailbox. I will do my homework after receiving yours. This is nothing less than a Celestial Promise. I’m Patricio, Celestial Scribe & Republik van Patland Official Envelope Provider.

  • E Coles

    Hi Theresa,

    I received your mail art the other day. It's fab! Thank you very much.

    Will send you something back soon.

  • Petrolpetal

    Hi there

    I have forwarded details of your WW1 mail art project to my son's history teacher (he's 14). (My son,that is, not the teacher! Anyway - I hope he follows up with you.

    Kind regards

    Petrolpetal

  • Celestino Neto

    O Projeto de livro coletivo continua aqui com endereço atualizado: 

    2014/2015
    Proposed Project:
    Creating an Artist Book Collective
    where the page can be figurative or abstract.
    Each artist may submit as many pages like;
    untitled
    Etching Technique: Monotype on paper
    Size: A3
    Objective: Show a production art collective,
    approach with a plastic (book).
    Exhibiting in a Private Room and Book Online;
    Recognize the Arts and Visual Artists
    Shipping Address of Work:
    Group Wolf's Lair
    A/C Celestino Neto
    Alameda Amélia, 834 APTO 33 A B 1
    Jardim Gopoúva - Guarulhos - SP
    Cep.: 07092-010
    Brasil
    e-mail: tocadoloboartepostal@hotmail.com
  • Petrolpetal

    Thanks for your mail art, and the flyer. I am going to fax the flyer to about 6 of the biggest schools in my area, as well as the history department of my university. I hope it generates some interest for your project!

  • Petrolpetal

    Thanks! Your blog is fantastic - very nicely designed,and inspiring. I will definitely be following.

  • Petrolpetal

    Hi there

    I received this - and thought you might be interested :

    WOMEN IN WAR AND AT WAR:

    Recent Developments

     

    18th – 19th September 2014 / University of Warwick

     

    Call for papers

     

    Women’s roles in war are complex and varied and are not limited to that of victims. During the Arab Spring, women took to the streets protesting against oppressive regimes in North Africa and the Middle East. We are also witnessing a significant rise in female political activism during conflict: many women increasingly find Internet, blogs and social media a useful tool to fight oppression, advocate change but also to report from war zones. Many women actively participate in combat, in regular armed forces but also as guerillas and, freedom fighters. They are also compelled to fight as girl child soldiers.

     

    Sexual violence against women remains an alarming and disturbing feature of modern armed conflicts. This is despite the fact that International Humanitarian Law (IHL) prohibits rape and other forms of sexual violence in war and despite the major advances in International Criminal Law (ICL) in the punishment of gender crimes. Over the past two years, some further steps and initiatives have been taken at national and international level to address this problem.  For instance, in June 2013 the United Nations Security Council issued Resolution 2106 on sexual violence in conflict, calling (once again) for the prevention of sexual violence during conflicts. In April 2012, the UK Foreign Secretary, William Hague, launched the Preventing Sexual Violence in Conflict Initiative, which resulted in adopting a G8 Declaration on Preventing Sexual Violence in Conflict and endorsing the Declaration of Commitment to End Sexual Violence in Conflict, which has been signed by 70% of UN Member States.  

     

    What impact have these measures had? Will they make a real difference? Have they had any impact on the way that armed conflict is conducted? How much can the law actually achieve? What do recent conflicts tell us about the contemporary representations of women in and at war?

     

    This conference builds on the 2012 Women in War and at War conference held at Aberystwyth University and is designed to focus in particular on recent developments in relation to women and war.

     

    Keynote speaker: Prof. Christine Chinkin, London School of Economics

     

    We invite proposals for papers in the following or related areas:

     

    -          Women and the conflict in Syria

    -          Women, the Arab Spring and the aftermath

    -          International Humanitarian Law: effectiveness and challenges

    -          International Criminal Law and the prosecution of gender-related crimes

    -          Representations of women in and at war

    -          Women, war and the media

    -          Women in post-conflict settings

    -          Gender and conflict.

    Abstracts of max. 250 words should be submitted by 28 February 2014 to womeninatwar@gmail.com. Authors of selected abstracts will be informed by mid-March 2014.

     

     

  • Guido Vermeulen

    Hello Theresa,

    Little tip: contact Paul Verhulst on IUOMA, a Belgian who has also a world war one project in development

    Guido

  • Bruno Cassaglia - poetArtist

  • Keith S. Chambers

    Hi Theresa, received your Trench Art postcard. Thank you.

    Thought provoking; swords into plowshares.

    Random question [because I am always curious]; the red type on the reverse of the card, how was that printed onto the card? The ink is very opaque with sharp lines — off-set litho or another method?

  • Paul Verhulst

    Hey Theresa,

    Sorry for the long waith, we were working on a Art Route "Kunstroute a/d Bovenschelde"

    Greatings Paul
  • jon foster

    Thanks for your most recent mail. I will get something out to you as soon as I can!

  • Celestino Neto