September 6, 2010 - IUOMA founder and artist Ruud Janssen kept up his mail art correspondence during these past weeks while traveling to Athens and Switzerland. I recently received an envelope from him that includes a page of beautiful stamps shown above (drawn by Thomas Kerr and printed by Joel Cohen) as well as a page of Fluxus artists' stamps. So far, the Fluxus page has the imprints of Ben Vautier and my personal favorite visual poet: Litsa Spathi. This is meant to be passed on to gather more artists for the Fluxus Rubber Stamp Collection (TAM Rubberstamp Archive - P.O. Box 1055 - 4801 BB Breda - Netherlands). I have to confess it's going to be a little hard to part with this, but I'm going to send it on it's way hoping other visual poets will contribute to this documentation effort. This is all an aside because I haven't gotten past Ruud's envelope:
As individuals spread across the globe will recognize, this is one of Ruud Janssen's hand-painted acrylic envelopes. I was practically stunned by the color and imagery when I took it out of the mailbox; I knew right away who'd sent it, only all I knew before was scans. I like mail art and the IUOMA because of the equality and mutual support. I also appreciate the access to people with vast amounts of experience, knowledge, and talent who are only too willing to share. Being intensely involved with mail art for about three decades, Ruud knows every nuance in the process. It's amazing to me to see the economy and utilization of space and forms in his work. Looking further into the piece, one can start to reconstruct the methods involved that strike a balance between quantity and quality. I talk with IUOMA friends often about these issues: quantity, quality, materials, expenses - Ruud provides a "benchmark" for the field. Here is the Fluxus Rubber Stamp Collection in circulation:
Bonus: Two pages from my copy of "OXID" by Litsa Spathi (REDFOXPRESS, Ireland www.redfoxpress.com)
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