scritti sulla contemporaneità poetica e artistica
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Oggi, che il mondo è ormai un'immensa "Torre di Babele", è giunta anche l' IA,
per confonderci ulteriormente. Cassaglia, quindi, dopo tanti anni di lavoro
su una poetica "Neo-Fluxus" ha deciso di rinunciare ad ogni soluzione
semplicemente estetizzante, per tuffarsi da networker ( Mail Art e Net Art),
in una ricerca verbo-visuale, che concettualmente unisce poesia e didascalie,
le quali si intrecciano sia sui suoi blogs, che sulla "pagina-opera in progress"
di IUOMA, per giungere fino ai vari gruppi, e alle tre "free gallery" di fb.
Una caotica ricerca, in cui si intrecciano immagini e scrittura, nel tentativo
di una "pacifica simbiosi" ... che solo ogni tanto si concede una pausa,
esteticamente minimal.
Bruno Cassaglia, che oggi lavora molto on line, (senza abbandonare la storica Mail Art)
deve quindi fare i conti col digitale (al quale unisce lavori su carta); il risultato
non è "rassicurante" per il fruitore abituato a estetiche più semplici.
In questi ultimi lavori egli si è tuffato in un mare magnum, difficile da tenere
sotto controllo. Esiste il rischio di smarrirsi... ma anche di trovare una nuova Anima.
Gina Isrehg
Today, when the world is now an immense "Tower of Babel", AI has also arrived,
to confuse us further. Cassaglia, therefore, after many years of work
on a poetic "Neo-Fluxus" he decided to renounce any solution
simply aestheticizing, to dive into as a networker (Mail Art and Net Art),
in a verbo-visual research, which conceptually combines poetry and captions,
which intertwine both on her blogs and on the "work in progress page"
of IUOMA, to reach the various groups, and the three "free galleries" of fb.
A chaotic search, in which images and writing intertwine in the attempt
of a "peaceful symbiosis" ... which only allows itself a break every now and then,
aesthetically minimal.
Bruno Cassaglia, who today works a lot online (without abandoning the historic Mail Art)
he therefore has to deal with digital (to which he combines works on paper); the result
it is not "reassuring" for the user accustomed to simpler aesthetics.
In these latest works he has dived into a sea magnum, difficult to keep
under control. There is the risk of getting lost... but also finding a new soul.
Gina Isrehg
perhaps that is the best way to work on poetic-visual language today to let language mix and contaminate itself... (???)
I think there is a need to divide it into two parts
my online work: a part dedicated to
mail artists of IUOMA, and another to all
other users, as each part has its own
way of enjoying the works.
notes on entropic disorder
When the future is here
I will cultivate on my skin
small pastel wings.
Astronomo in astrakan, astrofisico attratto dall’astratto,
tumefatto,ammiccante appunto, l’astrakan e il can
il can, il can che dorme e non piglia pesci…
astronomo attirato e attilato dal lato…
dal lato opposto… tutto a posto?
No! Straparlo
With moon nails
I dig at night
I really want to delve into visual writing and conceptual art, but to not feel suffocated
from a rigid scheme, I will leave escape spaces even for off-topic poetics.
Voglio davvero approfondire la scrittura visuale e l'arte concettuale, ma per non sentirmi soffocato
da uno schema rigido, lascerò spazi di fuga anche per poetiche fuori tema.
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