Observations upon the mammals of Alsace (3) Virgin of maps & train schedules

Vierge de cartes et des horaires de trains


Où est passé de grandes pierres d'une prairie

Voir son toujours lire ces mystères
Voir toujours incertain
Voir à la gare des trains

Vous doutez, vous pouvez lire les cartes
Maintenant, vous devez rendre les cartes

Pauvre fille, pauvre fille

Le calendrier indique qu'il est temps

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Comment by Marie Wintzer on September 5, 2011 at 11:42pm
I can see the two pictures come from a different source, of course. I thought the blending was very beautifully done. So the red tape is a cross that is not fully realized? OK. I saw it rather as a partition, a very thick wall between two territories or two worlds.
Comment by De Villo Sloan on September 5, 2011 at 1:37pm
Not sure what you mean. In the lower part, the partition is a piece of red tape. It forms a cross that isn't fully realized. The upper part is two pics collaged together: A section from an obscure French academic painting and then a generic shot of a train platform. They weren't originally together.
Comment by Marie Wintzer on September 5, 2011 at 4:44am

(DW: you know who to blame)

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Nice atmosphere with that choice of pictures, especially the train station. I'm intrigued by that sharp partition in the middle.

CB arrived at an intersection so full of trash it is impossible to even cross the road. AND it smells bad.

Comment by De Villo Sloan on September 5, 2011 at 2:41am
Ma très chère fleur de cerisier, nous devons rompre le silence. Cette situation rend le désarroi. La grande soeur est bouleversé. Rien n'est plus comme il se doit.
Comment by De Villo Sloan on September 5, 2011 at 12:33am
I think I'm starting to see. In Alsace #1. Cherry Blossom is the girl in bed propped up with a chair. In this, she is the maiden departing on a journey that is guided by a confusion of maps and schedules.

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