For people who read and enjoy good literature--literary classics or literary contemporary and like to make art about it. Using literature as inspiration for our art. Also for people interested in writing letters about literature. This is also a meeting place for The New Arzamas Literary Circle, which is dedicated to writing creative letters on literary topics.
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Latest Activity: Mar 10, 2024
TOP:
Handmade Ezra Pound (Ezruckus Poundamonium) paper doll for a series of skits in which E.P is the main star. --Theresa Williams
MIDDLE:
Automatic writing by Nancy Bell Scott.
BOTTOM:
One of a set of cards made while contemplating the poet Theodore Roethke. On November 12, Roethke suffered the first of what was to be many mental episodes. It happened in the cold Michigan woods, and he described the experience as having a "secret" revealed to him, which he said was the secret of "Nijinsky." Nijinsky was a famous ballet dancer who was institutionalized for schizophrenia. With your permission, I'd like to post your artwork at my blog: The Letter Project. I'm also looking for letters about literature and creativity. All works from the blog have gone through the postal system.
gentili Signori poeti e artisti visivi, sono felice di far parte di questo gruppo.Ecco il perchè.Da sempre il mio lavoro cammina tra immagine e parola.Testo e materia visiva.Poesia e carta dipinta…Continue
Started by Alfonso Filieri. Last reply by Theresa Ann Aleshire Williams Jul 12, 2011.
Comment
Received a new poem by David Stone today (for the REBEL project)
Reference in the poem to Paul Celan's Todtnauberg poem)
RECENT HISTORY
I paid cash
for the restored
cabin.
Stranded faces
streamed outside,
avoided overstaying
night stories,
swam in winds.
Munched caws
herded cellwelts
in woods.
Owls and weasels
avoided the oil
stream, strummed
winged instruments.
Tagged shoes,
puddles, shovels,
iced lips tangled
in metal links.
The calculations
of recht shifted
in the voice stream.
David Stone, USA
11 January 2012
There is a Haiku swapbot that I joined earlier in the week...
Classic haiku even (5 / 7 / 5 structure os syllables that I even respected in the translation; in English syllables accepted as sounds, so time (taaim) is only one);
other ingredients that makes this classical haiku: observing nature, mentioning of the seasons and a jump to a higher level of consciousness).
Miche is into haiku since decades, even before mail art.
I replied with a painted envelope with haiku (visible on lamusar but without the translation, here I cannot do this in the 5/7/5 scheme, which a lot of Japanse do not respect themselves; the end result has to be 17 over 3 lines but that is another discussion)
So little time to read but when I begin I become obsessed. A Happy Marriage is an exquisite book I learned about while listening to a NY Times or Guardian podcast while walking my dog, or cleaning my office. I ordered it and thought I'd give it to my husband as an anniversary present. It is the story of two people in a marriage from one person's point of view, remembered, as one of them dies You know what will happen, it's about the nuance and the levels of understanding. I identified with both characters. When I began this mailart I wasn't sure what I wanted to say but I felt a profound need to respond visually. I was 'on the road' with my extended family with few materials, cornered into making a quick response for my mailart 365 project.
The novel is by Rafael Yglesias and was inspired by elements from his own life. Do you send each other cards?
Hi Theresa,
No. He’s a correspondent since years but we never met. My personal contacts are limited to the London scene and that is already al lot!
Guido
Large painted envelope for Laurence Gillot in France.
Around poem fragment from Jacques IZOARD, from the collection PIEGES d AIR, published by LE FRAM editions Belgium (a magazine also publishing books, from another friend of mine and a great poet 2: Karel Logist)
Translation of words on the painted envelope:
Do not cry anymore
Pretend to whisper
that the thread of water
has slashed your veins
Woman caught between rocks and trees
Dedicated to Kerri Pullo and Simonne Pauwels
She eats a sandwich made of stolen sea food
Worms in driftwood wanna speak to you,
she says with a swift waitress voice
to the smallest sea coast she ever saw.
In the bedroom he plays Bach because
nobody else will warm these sheets of music.
She wears an angel on her hat, goes thru his head,
because her heart swims with the dreams of disappearing fish.
I’ve buried my eyes under the giant roots of trees,
they are almost a thousand years old, he tries to explain in vain.
I’ve buried mine in rocks, she simply sings
with a seductive mermaid voice to make peace between them
as soft as possible and as understanding as the sounds of spoon and room.
He acts with hidden words instead of uncovered leaves:
I did not know rocks were almost mirrors in the golden sun!
This sentence feels quite like a quiet kiss of autumn on my lips,
such an aria and echo of her soul looking for the holes in bones.
He simply smiles.
She takes one of the rocks to show him it smiles back
Waves intervene in the debate
Wonder how to show them how to really kiss
How to kiss their naked bodies without drowning
both of them at once
How to breathe like these yielding trees near the beach,
this beach were both of them were born in different decades.
Guido Vermeulen
December 2011
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