So this morning I recieved an envelope from Bertha containing two google search image result print outs. One of Elvis images and one of 50's housewives.
I'm really confused. I can't find her on here but when I search her name she comes up as having sent mail art to others too. However is a print out mail art?
I'm new to all this so would appreciate help & advice as I can't find a way to contact her and don't want to ignore that she made the effort to send something.
Thank you :)
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Hi Poison Label Productions - I don't feel threatened at all, so don't worry. I was just not sure what to do with the print outs until I had asked here and then the penny dropped.
I'm enjoying IUOMA, so all is well :)
I'll message you Angie & Snooky :)
You know what...I was really nervous about the original post in case anyone though I was being rude or stupid and not getting the concept, but now I'm glad that I took the risk. This has been a real help in understanding the concept and also showing that although I am a newbie and finding my way, my art will be appreciated for what it is.
IUOMA community, thank you for the security and the non judgement. :)
Heleen, I don't think you need to belong to a school or movement to participate in mail art - very much the opposite.
Adele, there are over 50 years of history and a lot to learn. But I don't believe anyone needs any prior knowledge to participate. In a way, it's good to jump in as a blank slate. (But then you run the risk of reinventing the wheel.)
The social aspect is in many ways as important as the artistic. You develop a personal network and thus you learn what to expect from people and what they like.
When Claire mailed me the contents of her wastebasket a few years back, I understood what that meant. Taken out of context, some people might have been insulted or grossed out. But it was part of an evolving dialog.
Sometimes Moan Lisa sends me work received from others and not originally intended for me. OK. I know people used to do that all the time, so I'm not going to puzzle over it or be confused.
I should have added to my list of options that I don't feel that any of them is a right or wrong way to respond. As Adele pointed out, Bertha did take the trouble to mail something out in the first place.
And thanks for the website, Heleen, I'll go take a peek.
(W. Reginald Bray, I meant)
Yes, there is a lot to tell and to explore. You can browse this IUOMA site, for instance, there are various groups and discussions on various (sub)themes, among them about mail art history, about mail art books, about certain questions. And/or you could just leave all that 'luggage' and continue creating :-)
I have a lot of researching to do tomorrow ;) <3 thank you x
I think there is not one culture within the eternal (mail art) network: the network consists of many, many cultures :-)
Speaking for myself, I don't feel really related to Ray Johnson and his Correspondance school. I much more feel touched by people like W. Reginald (the Englishman who experimented with the Royal Mail - over 100 years ago), and admire contemporary mail artists like Ptrzia (TicTac) and Carina.
So I feel I don't belong to Ray Johnson's culture. On the other hand, some of my works I am sending out I call 'fluxus'. Whether it has to do with the 'real Fluxus' school or not, is up to the receiver to decide. To me it is something created fast (the Dutch word 'vlug', fast, sounds a bit like the first part of the word fluxus), and/or some experimental object to post.
An other distinction I make for my outgoing mail, is between 'mail art' and ' mailed art'. The latter I would name my tiny drawings, added every now and then to the back of a regular postcard or on the envelope around a regular letter (or a tax companyform) sent to a non-mail artist, regular mail receiver.
Enough food for thought, as said, in mail art there are not really rules.
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