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Started by De Villo Sloan Mar 21, 2013.
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OMG. People keep these Blaster Al masterpieces coming. Ruud, that's great: The Ching Master and the Ling Master, the Holy Madman of Saratoga Springs.
I'm gonna brave the cold garage and dig deep in the archives.
Heavily influenced by post-war pulp writers like Theodore Sturgeon, Raymond Chandler and Fredric Brown (with whom Ackerman corresponded as a young person) as well as by modernists like Ray Johnson, Francis Ponge and the Oulipo, the name Al Ackerman is a pseudonym most likely alluding to the Science Fiction editor and collector Forrest J. Ackerman.
Al Ackerman's writing has dealt playfully, if obsessively, with themes of madness and weird phenomena. His visual work is also in the tradition of black humor, often including a trademark character, the hebephrenic, with a wide upper lip and two protruding teeth.
His voluminous mail art output was anthologized in The Blaster Omnibus and given a one-man show at the Chela Gallery in Baltimore, Maryland. Other books include Let Me Eat Massive Pieces of Clay, I Taught My Dog to Shoot a Gun, and Corn and Smoke. Over the past twenty years, he has been mostly frequently published The Lost and Found Times, published by frequent collaborator John M. Bennett, and in the Shattered Wig Review published by Rupert Wondolowski, although his massive body of work is difficult to track due to his regular use of a variety of pseudonyms (which he relates to his childhood love of the pulps), including Eel Leonard,
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