RECEIVED: Thx for the Hate Mail-Art + Gems from Nikoltsou (Greece), McAllister (USA), Baer (Germany)

[De Villo Sloan]

Mail-art by RCBz (St. Cloud, Minnesota, USA)

 

November 24, 2011 - A look back into my IUOMA blog posts will reveal that I have consistently praised mail-art I have received from RCBz. He certainly does not need my validation with admirers such as Arttower (Germany) and Testower (USA). For me, RCBz is a master of a surrealist/super-realist school that he traces to the West Coast of the U.S.A. I have compared artists like David Stafford (New Mexico) and Mike Dickau (California) to RCBz. Obviously, his aesthetics are not a perfect match (understatement) with my own; still, I admire his brilliance. Here is the reverse side of this recent card I received from him:

 

I do not believe that I or anyone else should make use of the Bully Pulpit IUOMA affords us to grind personal axes. Yet this raises so many issues relevant to mail-artists. I have responded to most of the work RCBz has sent me with blog posts attempting to illuminate his work. That constitutes a "response," I think. Responses might be part of the mail-art ethic. Being "cogent" is not. Have I ever made the claim I am cogent? I can't remember.

 

Maybe this "cogent response" is a reference to the fact that I have never mailed him anything. Are people able to respond to every piece of mail they receive? Tell me how you do it. In the case of RCBz, how could I respond to someone who is so artistically and technically good? That's my problem. I am going to send this guy a shred of a cereal box or DK's shirt? Well, OK, then something like that is going to RCBz as soon as the post office opens. Trust me the same way you'd trust Bank of America. 

 

Serial Fluxus?

 

You might think I value my friendship with Katerina Nikoltsou (Thessaloniki, Greece) for all the incredible stamps she sends me. In truth, my admiration goes much further than that. From Asemics 16 to Trash Books, she is a great force and talent in mail-art. Yet I melted when I recently received these tiny and elegant stamps, displayed on her signature Sandpo:

 

Mail-art by IUOMA member Katerina Nikoltsou (Thessaloniki, Greece)

 

I am in awe of people who can make stamps. And stamps made with creativity and wit are a treasure indeed. Mail-artists from everywhere will recognize Fluxus, but you might not completely recognize that Katerina has linked the name to various corporate brands.

 

Most are associated with breakfast cereal and junk food (and I think Coca-Cola is there too): Clear nods to Cerealism and Trashpo. I hope a few of you will remember that Richard Canard (Illinois, USA) accidentally brought Cerealism-Trashpo-Fluxus into a kind of insecure mail-art cartel for the present and strictly for fun. Kat has ingeniously further solidified the bond here. The reverse side is wonderful too:

 

 

The band-aid is particularly poignant because a few months back we saw an outbreak of wound-stitch mail-art inspired by Cheryl Penn (South Africa), and I used band-aids in related work. As ever, Katerina, your mail-art is deeply appreciated!

 

A warm welcome from Berkeley, California

 

Susan Mc Allister is a very new mail-art friend hailing from the San Francisco Bay Area of California, USA.

 

A great line in a Tom Clark poem reads something like: "Everything of absolutely no interest can always be found in San Franscisco." Great observation in terms of the Naropa and early Langpo era when it was written. There is a lasting value in the irony too since there is the suggestion that something is always going on in the Bay Area. That certainly applies to the worlds of mail-art and visual poetry. The way I see it, you can never have too many friends there so you can catch glimpses of what's going on in that cultural center. And Susan sent this postcard-size piece I like a great deal: 

 

Mail-art by IUOMA member Susan McAllister (Berkeley, California, USA)

 

The colors pop on this piece, and I am drawn by the organic quality. I am not at all familiar with Susan's work, but this is a great start. It seems expressionist with, perhaps, some hints in folk art. I believe she is interested in visual poetry. Of course, there is no place like the eternal network to find that. She included a nice note on the reverse side:

 

Many thanks, Susan McAllister, for this first mail-art from you! I look forward to more exchanges!

 

From the Hamburg Hipster

 

Erni Baer (Hamburg, Germany) is on a roll, producing instant mail-art classics seemingly on a daily basis. In fact, a fan club has been formed at the IUOMA dedicated to him. I have received a number of wonderful pieces from Erni in recent weeks, my favorites too large to scan. Thus, I am trying to resolve the camera situation again. Hopefully, more on that front later. However, I wanted to make sure to blog this solid German-made piece from Erni. I am sure this is a portrait of the writer Charles Bukowski, whom both Erni and I admire. My Erni Baer collection now includes a growing Beat Generation section:

 

Mail-art by IUOMA member Erni Baer (Hamburg, Germany)

 

As always, flawless collage composition in the great European tradition; and the green strips (intentional or not) add a haptic element to match the grittiness of Bukowski's prose and poetry. The reverse side carries the excellent and found Haptic Werewolf logo:

 

 

We have had many discussions about Erni Baer's influences and inspirations. Grigori Antonin (Minnesota, USA) has produced a very useful chart putting these in perspective:

 

(Image courtesy of Grigori Antonin)

 

As ever, Erni, many thanks! And great work by Grigori too.

 

MAIL-ART PSYCHIC

 

Ray wants to know who mashed the potatoes.

 

"And one of these days these ____ are going to walk all over you."

 

Lumpy.

 

Moon magic alone with the formula, Penny, the giraffe green camisole.

 

Left: fake. Right: authentic.

 

Cherry: pits, pie, custard, pilchard tarts

 

Spit and polish.

 

Richard, Karen says buy a step ladder. Fluxus is the next big thing.

 

Chairman of the Bored, Nancy, JFK's helicopter pad. Concrete but not poetry.

 

No, Doug, not the ferret hutch.

 

 

[Marie Wintzer]

There's a Mink Ranch in Port Washington, WI !! Isn't this where Snooky lives??

[Marie Wintzer]

Yip, I'm staying there for sure. And am going start a mink oil shoe polish business. You'll see....

[De Villo Sloan]

[De Villo Sloan]

Tell Doug the ferrets are hungry.

[De Villo Sloan]

Expulsion is a statement of mind rather than a physical fact.

 

Unlike the M-AP, I can't read your mind.

 

The Mink Ranch is a good place for you.

[Marie Wintzer]

Once again it is all the Spell Chick's fault. But Dw, since when are you siding with the dim light bulb boy? I am already in the mink ranch, serving a stiff expulsion sentence. It is actually not bad here, I think I'll stay. They give me three warm meals a day and a wifi connection. Doug is here too, he says hi.

[De Villo Sloan]

he knew it was gencki. he wanted to say geeky.

 

it's about 'these boots are made for walking" by Nancy Snotra. Nancy and Erni's boots. You think that was a coincidence. 

 

Doug definitely should not put that in the ferret hutch. cb is getting otter and otter. send her to the mink ranch

[De Villo Sloan]

Marie, you lobbied mercilessly for the return of the M-AP. After the last go around, with you issuing doomsday fortunes, is it any wonder no one wants to be involved? Stop whining. And the message to Doug, for instance, saved him a lot of trouble.

[Marie Wintzer]

the usual gibberish from the M-AP

[De Villo Sloan]

Clearly Minnesota is in turbulence again. I sense a disturbance in the force.