Asemic Writing for Mail-Artists

Asemic writing for mail-artists

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  • chris wells

  • Ficus strangulensis

    Hmmmmmm. The below appears about as asemic as some of the notes I get with incoming mail art!

  • chris wells

    Hello Fike et al. I almost explained what this was when posting it. It's an exploration of intentional partial legibility. Some of the words are fairly readable, but I suppose one's own perception would really determine what some of the others might be.

  • osvaldo cibils

  • Karen Redgreene

    such a wonderful & powerful batch of new works! congrats!

  • John M. Bennett

  • osvaldo cibils

  • De Villo Sloan

    Received a piece of classic Trashpo from Borderline Grafix in Austin, Texas - a reminder that Trashpo is vispo and we have the term "Trashemic" because many trashpoets all create asemics. Thx to BG

  • De Villo Sloan

    Fike & Chris, I have many examples of cursive (asemic) calligraphy that has recognizable letters, words and even phrases that emerge out of the abstract calligraphy & then meld back in again before any "readable" text is possible. This is often done very deliberately. I have a piece by Geof Huth that does this, for instance. It's buried in this comment stream, in fact.

    So fragments of words & phrases embedded in incoherence is definitely an approach.

  • Jan Hodgman

    Just ran across this on Pinterest by Cecil Touchon. Wow!

    Asemic Palimpsest Correspondence by Cecil Touchon. Made on 1920's corporate…:

  • De Villo Sloan

    Jan, Cecil is a member of this group but hasn't been active for a while. He has posted some interesting things that are probably still there, deep in the comment stream.

    He did early & innovative work, IMHO.

  • Jason C. Motsch

  • John M. Bennett

    these look a bit like petroglyphs, cool

  • Ficus strangulensis

  • Jason C. Motsch

    Thanks, John. The glyphs were done with fountain pen and the rest was done in Photoshop.
  • John M. Bennett

    Osvaldo Cibils & John M. Bennett

  • De Villo Sloan

    Congratulation to group members/contributors Kerri Pullo and John M. Bennett who have work in the Utsanga Asemic Writing Exhibition (along with other asemic writers and visual poets). Unfortunately, this is not the best link. But it will give you some info.

    http://www.utsanga.it/utsanga-asemic-writing-exhibition-produced-by...

  • John M. Bennett

    thanks, De Villo - Utsanga is a great magazine, as is this exhibit - thanks to Francesco Aprile -

  • Ficus strangulensis

    Howdy 'asemanticists'.

    I just added this ol', ol' cutup to my pix and have a question. Where upon the axis of asemic-to-semic does this text lie? Y'r ol' Bud,  Fike

  • De Villo Sloan

    Received a great piece from Jan Hodgman in Washington State. Note the calligraphy is done with weeds & herbs from her graden (weedpo?)! FAB

  • De Villo Sloan

    Fike, you are a master of the cut-up. That's a great poem.

    Your question is good. I've been wondering if some cut-up and otherstream poetry can be considered asemic. I'm really not sure.

    Some of JMB's poetry could be considered asemic. Some L=A=N=Gpo might be asemic. I doubt much of Burroughs is. The one you have posted has too much meaning.

    That's just my opinion, of course.

  • John M. Bennett

    Actually, Burroughs did quite a bit of asemic handwriting - it's in his various notebooks etc.  There are a few pages of it in a new edition of his 1953 Latin American notebook (Everything Lost, OSU Press) I have co-edited with Geoffrey Smith - a cheaper trade edition is due out in early 2017.

  • De Villo Sloan

    For sure about that part of Burroughs.

    This is so difficult to explain: Fike got me thinking if things written with recognizable words and syntax could ever fit the "asemic" definition. I was thinking maybe extreme cut-ups.

    But to be safe, it would probably have to be invented words: "Blish frudge glox spinks!" - Like speaking tongues.

    So my question was: Can a Burroughs cut-up ever be asemic? I know he did calligraphy-type things that people consider asemic. Absolutely.

    Talking about asemics is, I don't know, jello wrestling with porcupines.

    I think Fike's poetry is just referential enough not to be asemic, though.

  • De Villo Sloan

    Received an interesting piece from Joey Patrickt in Oakland, California, USA - I think it can be seen as referencing language and signification. Thx Joey

  • John M. Bennett

  • De Villo Sloan

  • Rebecca Guyver

    Not sure what special button you've pressed, DVS… everytime I open my phone I get an alert that you've posted in this group!

  • De Villo Sloan

    I can't explain or rectify, Rebecca.

    Skynet must realize that my asemic digital utterances are of huge significance to the "greatest minds of my generation."

    Sorry for the inconvenience. I'm sure Ruud can fix it ;)

  • De Villo Sloan

    Diane Keys sent me two copies of this Jim Leftwich piece. Some of you probably received one of these from Jim too; I did. I think Diane has altered these, though.

  • John M. Bennett

    Yes, DK has had a hand with these!  they look great

  • John M. Bennett

    Jim Leftwich, John M. Bennett, & Baron

  • De Villo Sloan

    Artista Daily (aka Maralena Howard) (Michigan, USA) sent me a great artists book with some of her vispo. I think you can see some influences from members of our group. Thx to Maralena.

  • John M. Bennett

    cool stuff, yes!

  • De Villo Sloan

    I've been partial to textile vispo since Cheryl Penn, our co-founder, was doing it. So I'm thrilled to have gotten this from Amy Irwen in Minnesota, USA.

  • Jan Hodgman

    Here's a grand piece I received from Vikki Johnson, which she calls, "Asemic-ish." It may be difficult to see the marks that bring that moniker, as it's in a sparkly finish. Quite intriguing!

  • De Villo Sloan

    Thanks Jan and Vikki Johnson. Yes, looks like ghostly text blocks there to me.

    I hesitate to follow Vikki's wonderful work with our esteemed group member Mona Lisa, but that's chance operations for you. Anyway, Moan Lisa took up this asemic war idea at one point and sent me this cardboard platter from a frozen pizza w. a message for all of us. You can even see the grease pools. Thx Moan Lisa!

  • De Villo Sloan

    While the rest of us are mucking around in the first dimension, Richard Canard (Illinois, USA) is making 3-D asemic poems (plastic). Interesting

  • John M. Bennett

  • Ruud Janssen

  • Ruud Janssen

  • Jan Hodgman

    Ruud, these are great!

  • Ruud Janssen

    Thank you Jan Hodgman; I am working on a series right now. The first photo is an in-between version of the second photo. I also document the progress........

  • Ruud Janssen

  • Ficus strangulensis

    Hi, Ruud. Please add me to the list of admirers of y'r asemic writings! YOB-f

  • Ficus strangulensis

    How do we tell the difference between 3D asemic poetry and mere text? Just pullin' y'r chain, DVS! YOB-f

  • Ficus strangulensis

    Ruud, if y'r words are hidden, could it be cryptosemic?

  • Ficus strangulensis

    or de-semified?

  • De Villo Sloan

    Fike, I try to be the messenger w. this stuff. That's what Richard calls it.

    Add me - I especially like Ruud's new work. Thx for sharing here.

    Fike read Dick's "Man in the High Castle." Amazing, Planning on reading more Dick now.

  • Ficus strangulensis

    That's a good-un fer sure. Also https://www.amazon.com/dp/0547549253/ref=wl_it_dp_o_pC_nS_ttl?_enco...

    also Greg Bear's "Blood Music" a truly original idea!

  • De Villo Sloan

    Thx Fike, well it's not a Dickhead group so I'll try not to wax too poetic but I thought "High Castle" was pure genius. So I'll dig in more - I have read other stuff he did.