For people who read and enjoy good literature--literary classics or literary contemporary and like to make art about it. Using literature as inspiration for our art. Also for people interested in writing letters about literature. This is also a meeting place for The New Arzamas Literary Circle, which is dedicated to writing creative letters on literary topics.
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Latest Activity: Mar 10
TOP:
Handmade Ezra Pound (Ezruckus Poundamonium) paper doll for a series of skits in which E.P is the main star. --Theresa Williams
MIDDLE:
Automatic writing by Nancy Bell Scott.
BOTTOM:
One of a set of cards made while contemplating the poet Theodore Roethke. On November 12, Roethke suffered the first of what was to be many mental episodes. It happened in the cold Michigan woods, and he described the experience as having a "secret" revealed to him, which he said was the secret of "Nijinsky." Nijinsky was a famous ballet dancer who was institutionalized for schizophrenia. With your permission, I'd like to post your artwork at my blog: The Letter Project. I'm also looking for letters about literature and creativity. All works from the blog have gone through the postal system.
gentili Signori poeti e artisti visivi, sono felice di far parte di questo gruppo.Ecco il perchè.Da sempre il mio lavoro cammina tra immagine e parola.Testo e materia visiva.Poesia e carta dipinta…Continue
Started by Alfonso Filieri. Last reply by Theresa Ann Aleshire Williams Jul 12, 2011.
Comment
Here is Theresa's latest wonderful mail art to me. It inspired her to write one of her epistolary poems (on the back, but it might be published, so cannot be posted). I'm posting the photos of images here, and my whole blog post from yesterday can be found here.
These discussions remain FASCINATING. It's very interesting to read Guido's perspective from Brussels, his influences and the U.S. writers he admirers.
Just out of curiosity: Does anyone read or know about the L=A=N=G=U=A=G=E poets in the US: Ron Silliman, Charles Bernstein, Susan Howe, etc. etc. etc.?
Just uploaded all the contributions I received late nineties to the Snake project from the Suiss mail artist STEFFEN MARKUS and they are fantatstic. Steffen became quite ill and is not active in the network anymore to my knowledge. It might interest Superhero that nearly all his work were B&W copy art. He wrote also poetry and I forgot he dedicated a snake poem to me. His interpretation of the snake is close to my own heart.
Visit http://cuereghemsnake.blogspot.com to view all his art.
The poem he wrote for goes like this:
SNAKE WITH HAIR
Dedicated to Guido Vermeulen
Snake with hair
and very tender armpits
show me the moon
Snake with fist
Snake with padded feet
Smelling of incense
Snake who stands in the stillness of silence
come to my table of wood and wickerwork
Snake with white teeth
Snake teach me the revolution
Rock with jaws which bite
the flies and all flesh
tell me
tell me
the live
Steffen Markus
Well, in an email Superhero recommend the novel THE TUNNEL by William H. Gass, a book I have in my library and that was recommended to me by the Jewish American poet David Stone (whom I visited in Baltimore in 1997). He gave me a list of recommended poetry books; I emailed that list to Superhero and that made me do some visual art on fragments of some of these poems that are so rich (but difficult):
THE DREAM SONGS, John Berryman
THE BOOK OF NIGHTMARES, Galway Kinnell
AFTER RUSSIA, Marina Tsvetaeva
LETTER TO AN IMAGINARY FRIEND, Thomas Mc Grath
At that time these authors were unknown to me, now they are like familiary friends. PAUL CELAN was a poet I already knew and continued to explore during the years. David and I are now in a process of exchanging books. He mailed me all his Celan books (bilingual German-English) and I do this with my Celan books (bilingual German-French). For Celan you simply need the original text to compare. Celan whose familie died in the extermination camps of the nazis, felt that the German language was ruined by the nazi experience, so he created a new kind of German, chopped it up, invented new words and so on. If you know German you still can understand the meaning but how do we translate that into another language, that's a real nightmare. Celan committed suicide in the early '70s by throwing himself in the Seine. Poets and suicide, that's another abyss... I have his complete correspondence (letters) as well, he had a troublesome love relationship with Ingeborg Bachmann.
You're making me wonder what a rough percentage would be of poets who are or were without fathers. Here is a poem dear to me by a poet whose father was absent not because of death but because of other kinds of remoteness:
Kiss the frozen lips
That cannot move,
Pry between lids of sorrow
Looming large under my brow.
Me standing near you, here, we together
Watching my bones settle in blood,
Listening to my skin drift
Towards my equator.
We are North Pole, and South, opposites
Bulging apart.
As I swallow the sand of my seed
Trying to shed this loose habit,
Flapping in the wind,
Your long silences undo me.
Thanks!
I have the collected poems of Plath and I played with the idea to read one poem every night before sleeping, had to abandon that quickly, not exactly a "fun" experience, you get suicidal yourself. I consider her LADY LAZARUS as one of the greatest modern poems ever written, together with Paul Celan's TODESFUGUE. Performed both live during poetry readings. When I do a poetry reading I'll always read some of my work next to poems by others I really am fond of. This is something I learned from poetry readings in the USA. Great idea because you lay the focus outside yourself and connect yourself with others.
Lady Lazaris is essential to understand Plath as well as the Death fugue is for Celan. Celan for me is absolutely top, together with Fernando Pessoa.
Painted envelope for ChaosAtlanta
Based on a poem by the Dutch poet SIMON VINKENOOG, who died last year.
DAGDROOM
DAYDREAM
Sleep holy prisoner sleep
Escaping this dream existence
Where is dead who'll leave
this square, my empty face
with drums in veils
Sleep white sleep
Where is the dream without borders
Where is eternal continuation
& where are these blue roads
along you'll betray this heart
Sleep dungeon sleep
I've created your mirror image
SIMON VINKENOOG, 1950
From WONDKOORTS (Wound Fever)
Translation & adaptation by Guido Vermeulen
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