NO COMMERCIAL POTENTIAL

Event Details

Time: April 10, 2011 at 11am to April 29, 2011 at 11am
Location: VENEZIA MESTRE
Street: via Cavallotti 83B
City/Town: Venezia-Mestre
Website or Map: http://itsonlymailartnocommer…
Phone: 347 0403128 from Italy
Event Type: mailart, project, exhibition
Organized By: TIZIANA BARACCHI
Latest Activity: Feb 24, 2011

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Event Description

No Commercial Potential phaze II, the Show

dal 10 al 29 Aprile 2011

presso

Garage N.3 Gallery

via Cavallotti 83B

30171 VENEZIA MESTRE

Italia

inaugurazione

Domenica 10 Aprile

esposizione

live-performances NON STOP

dalle ore 11 alle ore 18

Presentazione di

Giancarlo Da Lio

Orario di apertura:

dal martedì al venerdì dalle 17 alle 20

o su appuntamento:

347 0403128

Per ulteriori informazioni e visionare tutte le opere visitare il sito - http://itsonlymailartnocommercial.blogspot.com/

For more information and see all the works visit - http://itsonlymailartnocommercial.blogspot.com/

http://itsonlymailart.blogspot.com/
http://www.realtano.it/

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Comment by TIZIANA BARACCHI on February 24, 2011 at 7:47pm

Comment by TIZIANA BARACCHI on February 23, 2011 at 9:38pm: Since ages cultural anthropologists have been stressing how little aggressive the populations of South East Asia are. In their case, it is impossible to speak about poverty as a triggering cause of violence. This is justified by the fact that they dedicate themselves mostly to artistic activities, including dance. All this does not exist in our world of consumerism. We are obsessed by the market. The tendency is to classify the value of an artist on the basis of the market. But we often do not realize that we give ephemeral things a value that is both contradictory and substantial. Considering individuals on the basis of what they possess leads us to an archaic concept that has been perfected in our time by means of the economics science. This is a form of scientific philosophy that is more shaking than Ezra Pound’s poetics, which has been strongly criticised. On the contrary, his criticism to the system anticipated this issue. If negativity as a broad concept is nowadays well-known, negativity in art production seems a subtler concept. The system feels free to treat art like a product, without recognizing that “plus” that has always characterized it. The destiny of art is in the hands of the artists and not in the market, enormous Molock, which has feet of clay.

Giancarlo DA LIO

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