RECEIVED: Rosa Gravino's Chapter S - A Vispo Mail-Art Rosetta Stone (Rosario, Argentina)

Mail-art by IUOMA member Rosa Gravino (Rosario, Argentina)

 

March 14, 2011 - Rosa Gravino's Chapter S for the Project 26 collaborative mail-art book is a stunning piece of visual poetry. Her work is colorful and complex, often incorporating maps and map-like fields that accentuate the idea of contours within the work itself. A very nice addition to the wonderful textures she creates is the use of fabric impressions in Chapter S:

Rosa Gravino uses asemic writing liberally in this piece. She departs from the S and introduces a W that begins a chapter-within-a-chapter concept - and the primary thread that I think holds the piece together: the compass. This seems to echo the Homeric theme Katerina Nikoltsou (Greece) chose for her chapter. 

I like the way Rosa presents a variation of her mapping theme in this two-page spread (above). She moves from vispo to the representation of an an antiquarian text. The idea of overlaying certainly has its roots in tradition.

The chapter starts with a snake-like S and concludes with a further exploration of the symbol on these pages. This piece is definitely a kind of Rosetta Stone (is Rosa playing on her name?) with all these inter-connected symbols. She even manages to include a mail-art hole of sorts (above, lower right). Here's the final page:

Rosa Gravino is definitely one of the Latin American poets who is doing vital and distinctive work. I also gather she is a one of those people who is a mainstay of the network, working long and hard on the part of this that keeps people connected across the globe - and over the long haul.  Rosa maintains a very fine blog:

http://rosagravino.blogspot.com/

 

Here's Rosa's envelope:

Many thanks Rosa! It's time for me to send you something too.

 

Project 26 participants: Please note Cheryl Penn is traveling and will only be able to check in sporadically, if at all, in the days ahead. We'll all do our best to wrap up the last part of the project without her leadership. We'll certainly miss her "haffies" and "chuffs" for a bit.

 

Please consider participating in Valentine Mark Herman's effort to show solidarity with mail-artists in Japan. Marie Wintzer was in Tokyo and has now gone to Hiroshima (she noted the irony in a message to me), where she is safe and secure. She does manage to check in at IUOMA on a regular basis.

 

NEW FEATURE

 

GB's TOP TEN (mail-art received and planned for blogging but not necessarily in this order)

 

JF CHAPELLE (France)


David Stafford (USA)


Ruud Janssen (Netherlands)

 

Carl T. Chew (USA)


Angie and Snooker the Amazing Haptic Dog (USA)


Cheryl Penn (South Africa - an amazing sort of artistic tantrum - don't miss this one from Durban's finest)

 

PJ (USA)

 

Laurence Roberts (UK)

 

Katerina Nikoltsou (Greece)

 

Macron (USA)

 



  • cheryl penn

    GREAT blog De Villo - thank you. I loved Rosa's S too - especially the density of the pages, no space for S to breathe on its winding journey through her pages.  Which  was the artistic tantum :-))) I send you so many I cant remember any one tantrum in particular...!
  • De Villo Sloan

    Well, well, well... Good thing Marie and I didn't start gossiping about you. What will I post first? "Attack" of course. Rosa did a wonderful chapter. Wow, great to "see" you.
  • cheryl penn

    You too :-) Glad you keep the blog fires burning, always good to read - keep ones brain ticking over... Attack!!! Yikes!!!  I await your comments with fear...
  • De Villo Sloan

    I thought you'd react that way - but it's perfect actually - i want to go along the lines of action painting and Litsa's Spathi's Fluxus Poetics - I'm thinking it will be a good one - but probably not for a few days. Wow, it seems like forever already. Take care of yourself, ok?
  • De Villo Sloan

    hi cp-sa
  • cheryl penn

    Being two and all, AND your schedule, o, this one can WAIT AND WAIT AND WAIT :-))) Action painting! Action words, waving a stick and a sword about with letters instead of paint, o my... yip, that was a haffy and a half... You take care too x
  • De Villo Sloan

    Hi Snooks, Rosa's chapter is a stunner. You've probably received it by now.

     

    Cheryl, with "Attack" I want to pursue some ideas I wrote about David Chirot's work (not the draft essay you have - this was something else.) I want to use your work as an example of something Litsa Spathi has talked about. I'm reading that new book on Fluxus, the one with all the Jackson MacLow stuff. The book is basically OK. But it has this binary academic thing going on. The woman writes, and this is almost verbatim: "Fluxus was a response against abstract expressionism." Well, you know, that simply isn't the case at all with the "Old" Fluxus - and by extension a significant portion of the avant garde. Certainly, the "New" Fluxus people very much embrace abstract expressionism, especially the action painting concept. So I want to articulate this some more. It will make more sense when you see it, and I'm not casting you in the Flux boat by any means. But I'm going to do it. 

  • cheryl penn

    DVS - I've told you before, you create glimmers in the dark :-) All aboard a Fluxus boat - sounds good!
  • Marie Wintzer

    I miss you my friends, I so wish I could go back to checking out all the blogs, sending letters, creating things. Is it ever going to be back to normal?
  • De Villo Sloan

    Hi Marie, thanks for checking in. This is turning into a nightmare for the world. DW has offered to come rescue you. Please keep us posted. CP-SA - Fluxus is interesting and all, but would you want to go to sea in a boat they built?