Bill Wilson (1932-2016)

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Comment by Ruud Janssen on February 7, 2016 at 6:07pm

Portrait of Bill Wilson, in his home on W25 St, NYC August 17, 2013. Photo by Matthew Rose.

Comment by Ruud Janssen on February 7, 2016 at 7:00am

William S. Wilson, friend, collector and scholar of Ray Johnson passed away on February 1. He would have been 84 on April 7. I took this photo of him during a September 2015 visit to his NYC lower west side brownstone. The full extent of his legacy is yet to be uncovered.

from John Held Jr. - USA

Comment by Ruud Janssen on February 6, 2016 at 4:24pm

Comment by Miss Noma 2 on February 5, 2016 at 5:49pm

From Gary Comenas on http://www.warholstars.org/ 

Bill Wilson at the British Museum in 2005

February 3, 2016 It is with great sadness that I have to report that Bill Wilson - or William S. Wilson as he was known professionally - has died. Bill was a dear friend. We have communicated regularly for more than fifteen years and we always spent time together when he was in London. Among Warhol aficionados he is mostly known for his "Prince of Boredom" essay which is here. And of course he was a close friend of the artist Ray Johnson. And the son of May Wilson and for a period, the husband of the artist Ann Wilson. I thought he would go on forever.

I can't really write anything else at the moment - it's just too upsetting. His daughter has kindly sent me a copy of the obituary notice below:

William S. Wilson (1932-2016)

William S. Wilson, 83, died in Manhattan on Monday, February 1, 2016 from cardiac arrest. Born in Baltimore, April 7, 1932, he was raised in Maryland, attended the University of Virginia for his B.A., Yale University for his Ph.D. and taught college as a professor of English in Queens College, City University of New York from 1962 until his retirement in the early 1990s. While raising three children on his own in Chelsea, he published a collection of short stories, Why I don't Write Like Franz Kafka (1975), and the novel Birthplace (1982). The son of sculptor and painter May Wilson, he was deeply involved in the post-war New York world, the subject of his numerous published essays. Survivors include his sister, Betty Jane Butler, children Katherine, Ara and Andrew and grandchildren Jack, Alex, Augusta and Josephine. Contributions may be offered in his honor to PBS public television or the High Line or the Baltimore Museum.

Comment by Ruud Janssen on February 5, 2016 at 5:11pm

Matthew Rose just received this note from Frances Beatty...Dear All,

Michael and I thought you would like to see the tributes to Bill Wilson posted here on the Ray Johnson Estate website, as well as our Facebook and Tumblr pages. Along with the note from Richard and I, there are tributes from Ina Blom and Clive Phillpot. If you would like to write something which possibly could be posted ( or not) alongside these tributes on the website, please feel free to send them to me. We have submitted an obituary to the New York Times, which we will be published in this Sunday's paper (Sunday, February 7).

In sadness,
Frances
--
Frances F.L. Beatty, Ph.D.
President
Richard L. Feigen & Co.
34 East 69th Street
New York, NY 10021
(212) 628-0700 ph
(212) 249-4574 fax
www.rlfeigen.com
www.rayjohnsonestate.com

Comment by Ruud Janssen on February 5, 2016 at 5:07pm

Keith A. Buchholz

8 mins · Wood Dale, IL, United States

Bill Wilson ....
There will be a gathering of friends at the Reddens funeral home in the village ( 325 W. 14th st.,New York, 10014 ) on Sunday, February. 7th, from 4-6 pm.
A larger memorial will be planned for Sometime in April . A small obit has been placed in the New York Times, which may be available online today.

Comment by Miss Noma 2 on February 5, 2016 at 4:49pm

Please post more memories, writings, photos, and anything about Bill Wilson. He was an inspiring mentor, rigorous scholar, and dear friend to many. 

Comment by Miss Noma 2 on February 5, 2016 at 4:47pm

January 14, 2015

Comment by Miss Noma 2 on February 5, 2016 at 4:45pm

WILLIAM S. WILSON 1932-2016

If Ray Johnson was unknowable, as William S. “Bill” Wilson implied after Johnson’s death when he noted: ‘Ray, we never knew you’, it was not for want of trying, for Bill devoted so much of his time, particularly after Ray’s death in 1995, to knowing yet more.

Bill took it upon himself after his great friendship with Ray Johnson in the latter’s lifetime, to promote the achievement and as far as was possible the nature of Ray’s life’s work.

Bill had other enthusiasms and preoccupations, but Ray was at the centre of his concerns. His house became a Ray Johnson Archive storing not only correspondence but also many works by Ray, from drawings to collages to reliefs. On entering his house visitors could immediately enjoy a gallery of diverse works by his hero.

Many of these artworks were sent directly to Bill in the early days of their friendship, and they help to define a great many features of Ray’s early development. But Bill added to his collection over the years, acquiring more works but also collections of Ray’s correspondence with others, not to mention copies of publications in which he featured. His Johnsonian archive had many strands.

If his Ray Johnson Archive was a generative core for his deliberations over the riddles that were Ray, Bill was also very receptive to others who toiled in the same vineyard. He would encourage us, exchange information and ideas, and was extremely generous with his time both in discussions but also in writing and dispatching cascades of emails.

One hopes that eventually more research will reveal how much of Bill’s thinking and knowledge informed Ray’s work. But for now, we can carry forward memories of Bill’s generosity, his keenness to enlarge horizons and his twinkling and mischievous sense of humour.

Clive Phillpot 4-2-16

Comment by Ruud Janssen on February 4, 2016 at 5:36am

"The Ray Johnson Estate mourns the passing of William S. “Bill” Wilson, who died on February 3, 2016. Bill, called "Ray Johnson's Boswell” by New York Times writer Michael Kimmelman, was one of Johnson’s closest friends and his unwavering champion. He generously welcomed students and scholars to his extraordinary Johnson archive and wrote brilliant essays that provided deep insight into Johnson, his era and his work. Always generous with sharing his profound knowledge, Bill returned questions posed to him from all over the world through ever inspired and voluminous emails, phone calls and letters. He was truly a correspondent extraordinaire. There is no doubt that his legacy and work will only continue to expand its reach in the future. Regarding his relationship to the artists he studied, Bill once strikingly said, "In my private aesthetic, I feel and think that something is beautiful when I desire to conceive something with it." The Ray Johnson Estate is profoundly grateful for the many thrilling conceptions and inceptions, on Ray Johnson and in all of his art scholarship, with which Bill has left us.The art world, this estate, and his many friends and family, have lost a cherished friend and mentor."

-Richard L. Feigen, Chairman and Frances F. L. Beatty, President, Richard L. Feigen & Co.

"It is hard to think of a more spirited conversationalist and communication partner than Bill Wilson. His vast reading and detailed knowledge of a dizzying array of subject matters, personalities and historical incidents kept the associations coming hard and fast; a single line of thought would soon become a delta of interconnected narratives and lines of interrogation, kept in check only by a brilliant analytic wit. Perhaps it was his aesthetic and intellectual passion for the reverberating detail and its wider networks of associations and connections that made him such a good friend to the artist Ray Johnson, whose mail art and collage practice seems to have been founded on similar principles of operation. Bill was in many ways Johnson’s ideal archivist: not just because he stored and took care of a significant body of his work but also (and even more significantly) because he kept creating new nodal points in Johnson’s network. He took its wealth of minute visual and verbal details seriously enough to constantly and passionately question their potential implications or directionality, without ever closing down on final answers. And in this way he kept the archive vibrant and mobile, in word and in writing."

-Ina Blom, Art Critic and Professor of Art History, University of Oslo

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