Great to receive Mel Anie's Rijksmuseum themed work, which is a response to the Rijksmuseum map piece that I sent to Ilya Semenenko-Basin. The art invites me to re-contextualise her rearrangement of a reproduction of an x-ray image of Rembrandt's portrait of Catrina Hooghsaet, a painting from a Welsh collection once exhibited at the Rijksmuseum. 

and now, the image Mel Anie's artwork responds to

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Tags: Anie, Ilya, Mel, Rijksmuseum, Semenko-Basin

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Comment by Mel Anie on March 30, 2021 at 5:01pm

Here is john's response to my response. He mailed 're-move the hands four times' 2 months ago! Finland is only up the road, no big oceans to cross but.....I wonder where all these hands have been? Now, what will my response be?

Comment by Mel Anie on January 23, 2021 at 10:17am

Thanks for posting this, John; how lovely for me to wake up to this. It's good to see it all in one piece. For me, this is one of the things I like the most about correspondence art: it's all the movement over time, place, people and ideas.  I am very eager to see what moves next. Thank you, again, and no need for the pigeon - although where is the parakeet? 

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