love + compassion + sharing art via postal mail; with a little sleep advocacy thrown in for good measure in the form of my work with N[ART] : narcolepsy art, as founder/artist/curator, www.narcolepsyart.org = make art. advocate sleep.
My Mail-Adress (snail and/or E-mail)
laura j. evert, founder/artist/curator of N[ART] : narcolepsy art www.narcolepsyart.org
c/o 2206 indiana avenue, columbus, ohio 43201-1312
usa (united states of america) on the planet of earth
laura j. evert, founder/artist/curator
N[ART] : narcolepsy art = make art. advocate sleep. www.narcolepsyart.org
p.o. box 10799, columbus, ohio 43201 usa (earth)
Comment Wall (8 comments)
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Convidamos voces para participarem do nosso Projeto de Arte Postal Mago ou Magi, plural da palavra Persa antiga magus, significando tanto imagem quanto "um homem sábio", que vêm do verbo cuja raiz é "meh", significando grande, e em sânscrito, “maha". Mago usualmente denota aquele que pratica a magia ou ocultismo; no entanto, pode indicar também alguém que possui conhecimentos e habilidades superiores como, por exemplo, quando se diz que um músico é um "mago dos teclados", pois toca com perfeição o instrumento musical.
Tema: Mago Técnica: Livre Tamanho: A4 ( no máximo) Inicio do Projeto: 2010 Término do Projeto: 3 / 11 / 2013
Qualquer pessoa pode participar, Artistas e qualquer pessoa ao redor do mundo, enviando trabalhos com o tema “Mago”. Não Haverá Júri e os trabalhos recebidos não serão devolvidos. Os Trabalhos serão catalogados e estarão disponível no blog da Toca do Lobo sem valor comercial. Exposição dos trabalhos online no blog oficial da Toca do Lobo e exposição em espaço público. Os trabalhos podem ser enviado para o endereço:
Grupo Toca do Lobo Rua: Nossa Senhora Aparecida, novo Nº69 (antigo 28) Apto 21 Vila Fátima – Guarulhos – São Paulo Brasil Cep: 07191-191 email: firstname.lastname@example.org blog: www.tocadoloboartepostal.blogspot.com
Dear N[ARTist]. I just received your envelope full of information, love + compassion + sahring art + sharing art + sharing + sharing + sharing. Thank you for opening your door. It´s my turn now. I´ll do my homework. I´ll keep you posted.
Many thanks for the bottletop magnet. It is special and now is attached to my Egptian Mummy pencil/pen box in my Permanent Installation/Study.
Also thanks for all the information about you and narcolepsy. I must admit that I had never come across it before (inspite of a significant amount of the US -- and I assume other --population(s) being affected by it.
You must be coping to make such interesting art, and if that is so, then I am very happy for ypou.
i will try and come up with a narcopsy Mail Art piece to send you.
Thanks again, and I hope that you are having a good summer.
This is probably the last but certainly not the least welcome to The Eternal Network from a celestial mail artist living in a heavenly corner of the faraway Universe called Republik van Patland. I would like to be the other end here at IUOMA when you decide it’s the right time for you to start trading art. If that´s the case at the time your envelope should read as follows:
The Celestial Scribe Caixa Postal 24827 Curitiba-PR 80510-970 Brazil
II look forward to see your piece in my terrene mailbox. Yes! I will do my homework after receiving yours. This is a celestial promise. I’m Patricio, Celestial Scribe & Envelope Provider.
It's a great bunch of folks and I hope that you enjoy exchanging Mail Art with us. I'm your Mentor, and if I can help to ease you into IUOMA in any way, then please don't hesitate to ask and I'll try to explain what's going on and how IUOMA works.
If you haven't already done so, I suggest you take a look at the 'New to IOUMA' page (4th from the left at the top of the IUOMA home page) where you'll find a 10-point Introductory Guide that should give you an insight as to what is going on.
You have to get started somewhere, and I wonder if you would like to exchange some Mail Art with me? If so, send me something to 1 Rue de la Vieille Fontaine, F-11130 Sigean, France, and I PROMISE to send you something back.
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