I have a bottle jack press I made and a line -o- scribe press that I use some times. but most…Continue
Started by Merdoc. Last reply by Alan Brignull Mar 5, 2016.
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Me gusta. La textura en forma de madera se debe al tipo de emulsión utilizada o porque esta impresa sobre madera o es el tipo de cliché utilizado para la impresión.
Saludos.
Greetings--I have been printmaking for almost 20 years making monoprints, etchings, collagraphs, etc. Due to injury I have resorted to Gelli-plate mono printing*. I'm just exploring this technique and have mailed out a few samples. See my most recent photos on IUOMA.
monoprints block prints handmade stamp printing screeprints thermofax prints
hope I can figure out how to post a photo---new to this.
I am making collagraph, mono print, etching and other graphic technics for years. And I like to use them for mail art.
Ruud, I've never done silkscreening. I have only seen the printing process from afar and understand pushing the ink through the screen, but don't understand how you get the design on the screen.
My profile pic/avatar is a print I made at the Armory in Pasadena on the 19th Century press using Akua inks. It was a 4 session class that I really enjoyed but don't currently have access to a printing press so my results are not the same at home.
I have done a few linoleum blocks/prints but never woodcuts/woodprints. I imagine it's a similar process to lino cuts but with different tools?
For 2 years I did silkscreen classes at the Duvelhok in Tilburg. Learned a lot there and use the printing techniques still but on many different ways. Like the reproduction techniques a lot, and in a way they are handy when doing mail-art. You can reproduce your ideas in other ways then just photocopies or computerprints.
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