I put more weight on a reply via snail mail than on any kind of online documentation by the recipient of my mailart. And I hope my mailart contacts are not offended when I do not scan and document online the mailart they send to me. I am old-school in that regard. Though occasionally I might scan & post mailart I receive, it's only done on a whim, not with any regularity.
Per spreadsheet documentation I've maintained the past 13 months: Approximately 50 mail artists correspond with me with an average of 7 exchanges per contact during that same period. (There were many exchanges I did not average in, because only one or two exchanges occurred in this period, which may've been submissions to M.A. exhibits/projects; also, I threw out the highest exchange mail artist, Otto Sherman, for purposes of averaging m.a. exchanges.)
I don't really know that the mailart community is all that interested in our live little mailart product, but since you made such a big deal out of Ben Bennett's birth when guest editing Judith Hoffberg's Umbrella newsletter, I can understand how you might want to follow up on it. Your son, Lon, is one of the main events of your life, so you can appreciate Ben's impact on us. Yet I tell you, the majority of artists I meet in the live social scene of Columbus…Continue
As The 70 Project winds down, I count mailart receipts from nearly 190 mailartists in 22 countries!
The Oct. 12 deadline (John M. Bennett's 70th birthday) has come&gone.
THANKYOU ALL & an address list of pARTicipants will follow soon!
Documentation and links to video and Facebook photo albums from the 70th Birthday performance of John's poetry
and the release party in Ohio for THE LAST VISPO visual poetry anthology and for the CD: Pico Modolo