By Hans Braumüller, Ruggero Maggi, Clemente Padín, and Chuck Welch, 2020.
"The document UNITED IN MAIL ART reports the birth and development of this form of artistic expression known as MAIL ART ... without a doubt, the largest in relation to the number of participants, extension -both spatial and temporal- and, all this, outside the industry of art ... only explainable by its confessed purpose of working outside the area of commerce, privileging communication and mastery of use (not of exchange value) ... therefore it will never die. For a genuine communication, two interlocutors are enough exercising their social role." Clemente Padín, Montevideo, 21.05.2020.
HISTORY ............................................................................................................................................ 2 MAIL ART'S FIRST 'ISM - NEOISM ............................................................................................................. 4 MAIL ART DEFIANCE IN THE AMERICAS ............................................................................................... 5 ARTISTS' SURVIVAL .................................................................................................................................... 6 MAIL ART PROJECTS IN THE ASIA-PACIFIC, AUSTRALIA AND EUROPE ................................... 9 AFRICA .......................................................................................................................................... 11 DEFYING THE IRON CURTAIN IN EASTERN EUROPE ........................................................................ 12 THE COMMUNAL VOICE OF MAIL ART ZINES .................................................................................... 12 MAIL ART MEDIA FROM ANALOG TO DIGITAL .................................................................................. 14 MAIL ART ARCHIVES ................................................................................................................................ 15 CONCLUSION .......................................................................................................................................... 16 Guillermo Deisler, 500 years of Genocide & Colonialism. Issue
UNITI NELLA MAIL ART di Hans Braumüller, Ruggero Maggi, Clemente Padín e Chuck Welch, 2020
by Giovanni Bonanno
Sep 2, 2020
UNITED in MAIL ART
By Hans Braumüller, Ruggero Maggi, Clemente Padín, and Chuck Welch, 2020.
"The document UNITED IN MAIL ART reports the birth and development of this form of artistic expression known as MAIL ART ... without a doubt, the largest in relation to the number of participants, extension -both spatial and temporal- and, all this, outside the industry of art ... only explainable by its confessed purpose of working outside the area of commerce, privileging communication and mastery of use (not of exchange value) ... therefore it will never die. For a genuine communication, two interlocutors are enough exercising their social role." Clemente Padín, Montevideo, 21.05.2020.
HISTORY ............................................................................................................................................ 2
MAIL ART'S FIRST 'ISM - NEOISM ............................................................................................................. 4
MAIL ART DEFIANCE IN THE AMERICAS ............................................................................................... 5
ARTISTS' SURVIVAL .................................................................................................................................... 6
MAIL ART PROJECTS IN THE ASIA-PACIFIC, AUSTRALIA AND EUROPE ................................... 9
AFRICA .......................................................................................................................................... 11
DEFYING THE IRON CURTAIN IN EASTERN EUROPE ........................................................................ 12
THE COMMUNAL VOICE OF MAIL ART ZINES .................................................................................... 12
MAIL ART MEDIA FROM ANALOG TO DIGITAL .................................................................................. 14
MAIL ART ARCHIVES ................................................................................................................................ 15
CONCLUSION .......................................................................................................................................... 16
Guillermo Deisler, 500 years of Genocide & Colonialism. Issue
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