IS SIZE IMPORTANT IN CONTEMPORARY ART? - International Union of Mail-Artists2024-03-29T10:10:33Zhttp://iuoma-network.ning.com/forum/topics/is-size-important-in-contemporary-art?commentId=2496677%3AComment%3A1619711&feed=yes&xn_auth=noBully for you!tag:iuoma-network.ning.com,2014-09-27:2496677:Comment:16265412014-09-27T08:45:55.513ZIan C Denglerhttp://iuoma-network.ning.com/profile/IanCDengler
<p>Bully for you!</p>
<p>Bully for you!</p> Good question! I don't have a…tag:iuoma-network.ning.com,2014-09-23:2496677:Comment:16233762014-09-23T01:28:04.766ZErica Durantehttp://iuoma-network.ning.com/profile/EricaD
<p>Good question! I don't have a conclusive answer, but here is how I feel about size in my own art practice. I usually work on standard-sized postcards (~5" x 3"), which are pretty small compared to say, a Jackson Pollock canvas. I like working somewhat small because I often make art outside my studio (in my kitchen, at cafes, etc). However, I occasionally work a bit larger, just to switch things up a bit. I am not into super-small art, like ATC's (artist trading cards), because I find it hard…</p>
<p>Good question! I don't have a conclusive answer, but here is how I feel about size in my own art practice. I usually work on standard-sized postcards (~5" x 3"), which are pretty small compared to say, a Jackson Pollock canvas. I like working somewhat small because I often make art outside my studio (in my kitchen, at cafes, etc). However, I occasionally work a bit larger, just to switch things up a bit. I am not into super-small art, like ATC's (artist trading cards), because I find it hard to make an interesting composition in such a small format.</p> Thanks alison anne. You may h…tag:iuoma-network.ning.com,2014-09-16:2496677:Comment:16197452014-09-16T03:59:42.357ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>Thanks alison anne. You may have highlighted a chicken and egg problem: do works get bigger because galleries get bigger, or do galleries get bigger because works get bigger?</p>
<p>Perhaps the solution to this is smaller galleries, or galleries with smaller rooms. There is a contemporary art gallery near where I live in a massive former wine cooperative building. The four main rooms are enormous -- two of them about 40 x 15 yards, 2 about 30 x 15 yards -- but there is one very small space…</p>
<p>Thanks alison anne. You may have highlighted a chicken and egg problem: do works get bigger because galleries get bigger, or do galleries get bigger because works get bigger?</p>
<p>Perhaps the solution to this is smaller galleries, or galleries with smaller rooms. There is a contemporary art gallery near where I live in a massive former wine cooperative building. The four main rooms are enormous -- two of them about 40 x 15 yards, 2 about 30 x 15 yards -- but there is one very small space (with two rooms each about 3 x3 yards) in which, interestingly, the gallery owner's most prized works are displayed.</p>
<p>But in general smaller works in this part of the world seem to be older works, and very rarely of contemporary art.</p> Sometimes, through necessity,…tag:iuoma-network.ning.com,2014-09-08:2496677:Comment:16164622014-09-08T03:30:15.323ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>Sometimes, through necessity, art can be -- indeed has to be -- small.</p>
<p>On one of my fireplaces I have the quotation below (I think it camme from <span style="text-decoration: underline;">The Times</span> of England -- framed and placed on top of a pyramid of 6 matchboxes*:</p>
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<p><em>"During the 2nd World War, Alberto Giacometti left occupied Paris and stayed in Switzeland, where his sculptures became progressively smaller and smaller -- so much so that when he returned to…</em></p>
<p>Sometimes, through necessity, art can be -- indeed has to be -- small.</p>
<p>On one of my fireplaces I have the quotation below (I think it camme from <span style="text-decoration: underline;">The Times</span> of England -- framed and placed on top of a pyramid of 6 matchboxes*:</p>
<p></p>
<p><em>"During the 2nd World War, Alberto Giacometti left occupied Paris and stayed in Switzeland, where his sculptures became progressively smaller and smaller -- so much so that when he returned to France in 1945, he was able to fit all of his work from the previous 4 years into 6 matchboxes."</em></p>
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<p>* 6 empty matchboxes, alas, as I could not persuade Alberto to part with his mini works.</p> From a review in today's Sund…tag:iuoma-network.ning.com,2014-09-07:2496677:Comment:16155942014-09-07T13:10:02.826ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>From a review in today's Sunday Times of the English potter Grayson Perry's new book, <span style="text-decoration: underline;">Playing to the Gallery: Helping Contemporary Art in its Struggle to be Understood:</span></p>
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<p> <strong>"Perry recalls that he once asked the brilliant photographer Martin Parr how you distinguish an art photo from an ordinary one and Parr told him ypu could tell it was art if it was 'bigger than two meters and priced higher than five figures'…</strong></p>
<p>From a review in today's Sunday Times of the English potter Grayson Perry's new book, <span style="text-decoration: underline;">Playing to the Gallery: Helping Contemporary Art in its Struggle to be Understood:</span></p>
<p></p>
<p> <strong>"Perry recalls that he once asked the brilliant photographer Martin Parr how you distinguish an art photo from an ordinary one and Parr told him ypu could tell it was art if it was 'bigger than two meters and priced higher than five figures' "</strong></p>
<p>Amen.</p> Thanks Erni. Now we've had th…tag:iuoma-network.ning.com,2014-09-06:2496677:Comment:16145452014-09-06T20:15:17.793ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>Thanks Erni. Now we've had that interesting diversion, can we pleaseeturn to the question "Is size important in Contemporary Art?"</p>
<p>Thanks Erni. Now we've had that interesting diversion, can we pleaseeturn to the question "Is size important in Contemporary Art?"</p> Lil Abner the brother of Big…tag:iuoma-network.ning.com,2014-09-06:2496677:Comment:16146282014-09-06T17:08:24.833ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>Lil Abner the brother of Big Pablo?</p>
<p>Lil Abner the brother of Big Pablo?</p> You could leave out the Art T…tag:iuoma-network.ning.com,2014-09-05:2496677:Comment:16142142014-09-05T15:05:58.585ZValentine Mark Hermanhttp://iuoma-network.ning.com/profile/ValentineMarkHerman
<p>You could leave out the Art Thing and just have tea and music.</p>
<p>You could leave out the Art Thing and just have tea and music.</p> Grayson Perry did the Reith L…tag:iuoma-network.ning.com,2014-09-04:2496677:Comment:16140662014-09-04T20:54:28.957ZAlan Brignullhttp://iuoma-network.ning.com/profile/AlanBrignull
<p>Grayson Perry did the Reith Lectures last year and he thought it did. In particular, you’ll never have a good art career unless your work fits into the elevator of a New York apartment block. On the other hand, he thought that an artist’s big work is very rarely their best.</p>
<p>Grayson Perry did the Reith Lectures last year and he thought it did. In particular, you’ll never have a good art career unless your work fits into the elevator of a New York apartment block. On the other hand, he thought that an artist’s big work is very rarely their best.</p>